The Offer

Coaching structured around what you actually bring in — a scene you’re stuck on, a role you’re building over weeks, or a script that needs a director’s eye before it goes to pitch.

  • One-on-one, in person (Potomac/DC metro) or via video. Scene work, audition prep, script analysis, or a directing/production consultation — structured around what you bring in. Best for: a specific audition, a scene you’re stuck on, a creative problem.

  • A sustained arc rather than a single fix: role preparation from first read to performance-ready, or a directing project taken from concept through blocking. Sessions are sequenced, not repeated. Best for: a role you’re building over weeks, or a production in active development. Priced as a modest per-session discount off the hourly rate — a commitment discount, not a markdown.

  • For writers and producers: script notes from a director’s perspective — structure, adaptability, and what a script will actually look like in production, not just on the page. Best for: a script at the rewrite stage, or a project being prepped for pitch.